𝘋𝘳𝘢𝘮𝘢𝘵𝘪𝘤 𝘺𝘦𝘵 𝘥𝘦𝘭𝘪𝘤𝘢𝘵𝘦 𝘭𝘪𝘨𝘩𝘵𝘪𝘯𝘨 𝘳𝘦𝘮𝘪𝘯𝘪𝘴𝘤𝘦𝘯𝘵 𝘰𝘧 𝘢 𝘙𝘦𝘮𝘣𝘳𝘢𝘯𝘥𝘵 𝘱𝘰𝘳𝘵𝘳𝘢𝘪𝘵 𝘥𝘦𝘧𝘪𝘯𝘦𝘴 '𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 30', 𝘵𝘦𝘢𝘴𝘪𝘯𝘨 𝘵𝘩𝘦 𝘭𝘪𝘮𝘪𝘵𝘴 𝘰𝘧 𝘤𝘩𝘪𝘢𝘳𝘰𝘴𝘤𝘶𝘳𝘰 𝘴𝘵𝘺𝘭𝘦. 𝘈 𝘣𝘰𝘯𝘦 𝘸𝘩𝘪𝘵𝘦 𝘢𝘯𝘵𝘦𝘭𝘰𝘱𝘦 𝘴𝘬𝘶𝘭𝘭 𝘴𝘵𝘳𝘪𝘬𝘦𝘴 𝘰𝘶𝘵 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘥𝘢𝘳𝘬𝘯𝘦𝘴𝘴 𝘸𝘩𝘪𝘤𝘩 𝘵𝘩𝘪𝘯𝘭𝘺 𝘤𝘢𝘳𝘦𝘴𝘴𝘦𝘴 𝘵𝘩𝘦 𝘧𝘰𝘳𝘮 𝘰𝘧 𝘥𝘳𝘪𝘦𝘥 𝘳𝘰𝘴𝘦𝘴 𝘱𝘦𝘳𝘤𝘩𝘦𝘥 𝘰𝘷𝘦𝘳 𝘢 𝘴𝘵𝘢𝘨𝘦 𝘣𝘶𝘪𝘭𝘵 𝘰𝘧 𝘩𝘢𝘯𝘥𝘮𝘢𝘥𝘦 𝘣𝘰𝘰𝘬𝘴, 𝘨𝘪𝘷𝘪𝘯𝘨 𝘢 𝘯𝘰𝘥 𝘵𝘰 𝘋𝘶𝘵𝘤𝘩 𝘎𝘰𝘭𝘥𝘦𝘯 𝘈𝘨𝘦 𝘱𝘢𝘪𝘯𝘵𝘦𝘳𝘴 𝘭𝘪𝘬𝘦 𝘗𝘪𝘦𝘵𝘦𝘳 𝘊𝘭𝘢𝘦𝘴𝘻.
𝘐𝘵𝘴 𝘴𝘶𝘣𝘫𝘦𝘤𝘵 𝘮𝘢𝘵𝘵𝘦𝘳 𝘪𝘴 𝘢𝘯 𝘰𝘥𝘦 𝘵𝘰 𝘵𝘩𝘦 𝘵𝘪𝘮𝘦𝘭𝘦𝘴𝘴 𝘴𝘵𝘶𝘥𝘺 𝘰𝘧 𝘯𝘢𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘩𝘦𝘳 𝘦𝘯𝘥𝘭𝘦𝘴𝘴 𝘤𝘺𝘤𝘭𝘦 𝘰𝘧 𝘣𝘪𝘳𝘵𝘩, 𝘨𝘳𝘰𝘸𝘵𝘩, 𝘥𝘦𝘢𝘵𝘩 𝘢𝘯𝘥 𝘳𝘦-𝘣𝘪𝘳𝘵𝘩. 𝘖𝘯𝘦 𝘤𝘢𝘯 𝘪𝘮𝘢𝘨𝘪𝘯𝘦 𝘴𝘦𝘦𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘪𝘮𝘦 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘭𝘪𝘣𝘳𝘢𝘳𝘺 𝘰𝘧 𝘢 𝘨𝘳𝘦𝘺 𝘩𝘢𝘪𝘳𝘦𝘥 𝘦𝘵𝘩𝘯𝘰𝘣𝘰𝘵𝘢𝘯𝘪𝘴𝘵 𝘴𝘰𝘳𝘵𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘩𝘪𝘴 𝘤𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘣𝘰𝘵𝘢𝘯𝘪𝘤𝘢𝘭 𝘪𝘭𝘭𝘶𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯𝘴, 𝘱𝘶𝘭𝘭𝘪𝘯𝘨 𝘰𝘶𝘵 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘵𝘰𝘮𝘦𝘴 𝘢𝘯𝘥 𝘣𝘭𝘰𝘸𝘪𝘯𝘨 𝘥𝘶𝘴𝘵 𝘰𝘧𝘧 𝘵𝘩𝘦 𝘱𝘢𝘨𝘦𝘴 𝘰𝘧𝘧 𝘩𝘪𝘴 𝘤𝘰𝘱𝘺 𝘰𝘧 𝘎𝘦𝘳𝘢𝘳𝘥 𝘷𝘢𝘯 𝘚𝘱𝘢𝘦𝘯𝘥𝘰𝘯𝘤𝘬'𝘴 "𝘝𝘦𝘭𝘪𝘯𝘴 𝘥𝘶 𝘙𝘰𝘪". 𝘏𝘦 𝘤𝘭𝘦𝘢𝘳𝘴 𝘩𝘪𝘴 𝘸𝘳𝘪𝘵𝘪𝘯𝘨 𝘵𝘢𝘣𝘭𝘦, 𝘴𝘵𝘢𝘤𝘬𝘪𝘯𝘨 𝘰𝘭𝘥 𝘣𝘰𝘰𝘬𝘴 𝘸𝘪𝘵𝘩 𝘩𝘢𝘯𝘥𝘮𝘢𝘥𝘦 𝘱𝘢𝘨𝘦𝘴 𝘪𝘯𝘵𝘰 𝘵𝘰𝘸𝘦𝘳𝘴 𝘭𝘪𝘬𝘦 𝘵𝘩𝘦 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘳𝘰𝘤𝘬 𝘱𝘪𝘭𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘸𝘦𝘴𝘵. 𝘏𝘦 𝘵𝘰𝘱𝘴 𝘵𝘩𝘦𝘴𝘦 𝘱𝘢𝘱𝘦𝘳𝘣𝘢𝘤𝘬 𝘮𝘦𝘴𝘢𝘴 𝘸𝘪𝘵𝘩 𝘩𝘪𝘴 𝘱𝘳𝘪𝘻𝘦𝘥 𝘢𝘯𝘵𝘦𝘭𝘰𝘱𝘦 𝘴𝘬𝘶𝘭𝘭 𝘢𝘯𝘥 𝘮𝘰𝘷𝘦𝘴 𝘩𝘪𝘴 𝘣𝘦𝘭𝘰𝘷𝘦𝘥 𝘵𝘢𝘹𝘪𝘥𝘦𝘳𝘮𝘺 𝘢𝘭𝘭𝘪𝘨𝘢𝘵𝘰𝘳 𝘵𝘰 𝘢 𝘴𝘢𝘧𝘦 𝘳𝘦𝘴𝘵𝘪𝘯𝘨 𝘱𝘭𝘢𝘤𝘦 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘷𝘢𝘭𝘭𝘦𝘺 𝘰𝘧 𝘱𝘢𝘳𝘤𝘩𝘮𝘦𝘯𝘵. 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 30 𝘪𝘴 𝘢 𝘱𝘰𝘳𝘵𝘳𝘢𝘪𝘵 𝘰𝘧 𝘢 𝘴𝘮𝘢𝘭𝘭 𝘴𝘤𝘦𝘯𝘦 𝘰𝘶𝘵 𝘰𝘧 𝘵𝘪𝘮𝘦 𝘢𝘯𝘥 𝘢 𝘳𝘦𝘮𝘪𝘯𝘥𝘦𝘳 𝘰𝘧 𝘪𝘵𝘴 𝘱𝘢𝘴𝘴𝘢𝘨𝘦.
 
'Untitled 30‘ is part of the ongoing Veneration of Light series which encompasses works of Neo-Victoriana still life images. Veneration of Light was inspired by the artist’s own contemplation of the temporality of life through observation of its ephemera focusing on botany, taxidermy, entomology, oddities, and antiques.